Theresa Harris - skådespelare

Vilka filmer och serier har Theresa Harris medverkat / deltagit i?

Theresa Harris, skådespelare, född 1906-12-31 i Houston, Texas, USA, dog 1985-10-08 (blev 78 år).

Vi listar 2 filmer och tv-serier som hon har medverkat/deltagit i - se via streaming och play.

Skådespelare

ÅrTitelRoll
2021-KattmänniskorMinnie (okrediterad)
1947Miracle on 34th StreetCleo (okrediterad)

Titlar

Bio

Theresa Harris (December 31, 1906 [some sources indicate 1909] – October 8, 1985) was an American film and television actress, singer and dancer. In 1929 Harris traveled to Hollywood, where she embarked on an acting career. She made her film debut in Thunderbolt, singing the song "Daddy Won't You Please Come Home". As she entered the 1930s she found herself playing maids to fictitious Southern belles, socialites and female molls. These parts were sometimes uncredited. She also floated around studios doing bit parts, usually at Warner Bros. or MGM. Aside from maids, she specialized in playing blues singers, waitresses, tribal women, prostitutes, and hatcheck girls. Harris had a featured role as a friend of Jean Harlow in MGM's Hold Your Man (1932). In 1933 she appeared as Chico in the Warner Bros. pre-Code production of Baby Face, starring Barbara Stanwyck. That same year Harris starred in a substantial role opposite Ginger Rogers in Professional Sweetheart. As Rogers' character's maid, Harris' character subs for Rogers' character as a singer on the radio. Despite the fact that Harris' character was a major point for the story's plot development, she was uncredited for the role. Throughout the 1930s, Harris played many uncredited parts in films such as Horse Feathers (1932), Gold Diggers of 1933 (1933), Mary Stevens, M.D. (1933) and Morning Glory (1933). She also played Bette Davis's maid Zette in the film Jezebel (1938). In 1937 she appeared in the race film Bargain With Bullets opposite Ralph Cooper for Million Dollar Productions. While doing promotion for the film, Harris spoke about her frustration over the difficulty African American actors faced in the film industry, stating, "I never had the chance to rise about the role of maid in Hollywood movies. My color was against me anyway you looked at it. The fact that I was not "hot" stamped me either as uppity or relegated me to the eternal role of stooge or servant....My ambition is to be an actress. Hollywood had no parts for me." Harris continued to lobby f...